'Infinite Elephants' by  Ros Terry

2 layer hand-pulled screen print.
420 x 420 mm / on 300gsm Munken Polar paper. Edition of 20, signed and numbered by the artist.

About the Piece
This is one of my first ever designs originally painted with Indian ink and digitally reworked for a screen print. I went with the colour pink as a nod to dumbo when he gets drunk and sees the pink elephants, I’ve always liked this design and hope you do too!!

About the Artist
Ros is a Dublin based artist who works in a broad range of mediums and enjoys exploring different types of creative styles from sculpture, mixed media, painting and printing. Ros as well as being a Damn Fine Print member is also a resident artist of Hazelhurst Gallery in Monkstown Cork where his work is often on display. 

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Figure 8' by  Sarah Fitzgibbon

4 colour hand-pulled screen print.
297 x 420 mm / on 300gsm Gmund white paper. Edition of 10, signed and numbered by the artist.

About the Artist

Sarah Fitzgibbon is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from Limerick School of Art & Design and is a member of the DFP Team. Through screen printing, her work explores the idea of movement and illusion by layering bold vibrant colours and abstract geometric shapes to produce mind-altering artworks.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns

This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Reality' by Jack Barrett

4 colour hand-pulled screen print.
297 x 420 mm / on 300gsm Munken polar paper. Edition of 6 signed and numbered by the artist.

About the Artist
We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Fairy Tale' by Jack Barrett

3 colour hand-pulled screen print.
297 x 420 mm / on 300gsm Munken polar paper. Edition of 5, signed and numbered by the artist.

About the Artist
We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Happenstance' by Alastair Keady

5 colour hand-pulled screen print.
42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 20, signed and numbered by the artist.

About the Piece

This started out life intended for the Damn Fine Print ‘Electric Dreams’ exhibition, but two colours in, I realised it was tonally in a different territory. It has an accidental landscape quality, and started to remind me of chirpy mid-century modernist travel poster design. So I gave it a further nudge into this territory, but using my typical modular geometric elements. It’s the epitome of running with a happy accident. 

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Stowaway' by Alastair Keady

3 layer hand-pulled screen print with gold gilding.
297 x 420 mm on Ancona 21 300gsm paper.
Edition of 35, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Night Cherry' by Joe Ross

2 colour hand-pulled screen print.
29.7 x 42 cm on 300gsm Munken Pure paper. Edition of 9, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

Joe is a printmaker and graphic designer based in Dublin by way of Canada. A reverence for trees led to a career in arboriculture before pursuing graphic design. Printmaking offers a channel for his voice intuited by lived experience, eyes for the ordinary and the immediacy of touch. His work is inspired by visual language and who’s listening to it and the shared experience of pleasure from it.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Supernova' by Sarah Fitzgibbon

5 colour hand-pulled screen print. 50 x 70 cm on 285gsm Sirio Ultra Black paper. Edition of the 7, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

Sarah Fitzgibbon is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from Limerick School of Art & Design and is a member of the DFP Team. Through screen printing, her work explores the idea of movement and illusion by layering bold vibrant colours and abstract geometric shapes to produce mind-altering artworks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Starburst' by Sarah Fitzgibbon

5 colour hand-pulled screen print. 50 x 70 cm on 300gsm Munken Pure paper. Edition of 10, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

Sarah Fitzgibbon is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from Limerick School of Art & Design and is a member of the DFP Team. Through screen printing, her work explores the idea of movement and illusion by layering bold vibrant colours and abstract geometric shapes to produce mind-altering artworks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Electric Dreams' by Amber Leigh

2 colour hand-pulled screen print. 42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 5, signed and numbered by the artist.

 About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

 About the Artist

Amber is a Dublin based illustrator and printer. She holds a BA in Visual Communication from the National College of Art and Design and is currently a member in DFP. Her work explores colourfully gradients and shapes through the medium of minimal, fat little dudes.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'P K Dick' by NDP

3 colour hand-pulled screen print with black glitter embellishments.
42 x 59.4 cm on Ancona 21 300gsm paper. Edition of 12, signed and numbered by the artist.

About the Piece

What happens when ‘Do androids dream of electric sheep?’ meets vernacular signage, and ehh; glitter. Obviously. High voltage.

About the Artist

In 1972, a crack commando printmaker was sent to prison by a military court for a crime they didn't commit. They promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government they survive as a soldier of print fortune. If you have a problem, if no one else can help, and if you can find them....maybe you can collect a print from NDP.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Hybrid' by Jack Barrett

5 colour hand-pulled screen print with gilded embellishments.
50 x 50 cm on 300gsm Munken Polar paper. Edition of 10, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'City Lights' by Jack Barrett

5 colour hand-pulled screen print.
50 x 50 cm on 300gsm Munken Polar paper. Edition of 15, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Beograf 2' by Alastair Keady

5 colour hand-pulled screen print.
42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 20, signed and numbered by the artist.

About the Piece
An ode to two icons of electricity – HAL 9000, and the body of work that Jacob Jensen did for Bang & Olufsen. The high-end bling of minimalist product design in beautifully engineered materials he designed seemed like a dip into the future in the 1980’s. These pieces are a celebration of the luminescence of fluo ink on white paper, and the contrast of metallic and gloss ink to flat/matt layers.

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Beograf 1' by Alastair Keady

5 colour hand-pulled screen print.
42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 19, signed and numbered by the artist.

About the Piece
An ode to two icons of electricity – HAL 9000, and the body of work that Jacob Jensen did for Bang & Olufsen. The high-end bling of minimalist product design in beautifully engineered materials he designed seemed like a dip into the future in the 1980’s. These pieces are a celebration of the luminescence of fluo ink on white paper, and the contrast of metallic and gloss ink to flat/matt layers.

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'System Aesthetics ' by Neil Dunne

8 colour hand-pulled screen print.
56cm x 76cm / on 280gsm bfk Rives paperSystem Aesthetics.
Edition of 10  signed and numbered by artist.

About the Artist
Neil Dunne's work engages with issues related to the built environment and personal experience. Employing a diverse range of mediums and aesthetic strategies – including drawing, painting and printmaking – his examination of the cultural and social setting found within the urban landscape portray a sense of stasis -  capturing the fragility of a moment. Neil works with a concept of print in mind, utilising his skills in silkscreen printing and takes advantage of an expanded print practice.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Shepherds Delight' by Orla King

4 colour CMYK risograph print.

297 x 420mm / on 170gsm Munken Polar paper.

Edition of 20, signed and numbered by the artist.

About the Artist
Orla King is a designer working across print, 3D, photography, video, risograph and animation. Her work focuses on translating analogue design techniques and processes into the digital sphere to create visually engaging work.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Down The Rabbit Hole' by Jose Quintana

2 colour hand-pulled screen print
280 x 380 mm / on 300gsm Michel Cotton paper.
Edition of 13, signed and numbered by the artist.

About the Piece
You are falling into the rabbit hole. You realise the wall is made of hands that hold you while you fall. Undecipherable words are reflected on the walls like mirrors shattered all over the place.  

Jose Quintana is a Graphic Designer based in Dublin. Jose's work is rooted in a fascination of the energy and potential of screen print. Much of this work is concerned with the layering process of colour involved when screen printing, creating rich, deep tones of vibrant inks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes. Bespoke framing is also available.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Clouds in My Coffee' by Alastair Keady

1400 x 1010mm screen monoprint diptych. Four and three layers respectively, on 290gsm Sirio Arancio and 250gsm black papers. Hand cut paper stencils used as masks for the monoprinted sections. Orange, black, rust brown, and gold. Edition of two unique pieces.

About the Piece

Following on from the formal studies of conjoining square and circular motifs in the ‘Module’ pieces. This piece is looser, more painterly, and has a defined compositional arrangement. It’s also considerably larger! The process is resolutely exploratory, somewhere in the crossover of print/painting/collage, embraces the consequent accidents and inconsistencies of the handmade, and allows a generous scale that brings the interplay of colour and tone to the fore.

The title comes from the rusty brown semi-circle with lighter brush marks, and the fact that Carly Simon’s ‘You’re so vain’ was in my playlist, and head, while I was working on it. 

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Dufrense – Pink, Brown and Gold’ by Alastair Keady

4 colour hand pulled screenprint
297 x 210mm / on Ancona 21 300gsm stock
Edition of 7, signed and numbered by the artist.

About the Project
“Promise me, Red. If you ever get out, find that spot. In the base of that wall, you'll find a rock that has no earthly business in a Maine hayfield. A piece of black, volcanic glass. There's something buried under it I want you to have.”

A relation of  ‘Gabion’, prompted by the incongruous rock in ‘The Shawshank Redemption’, and the treasure hidden within that wall.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Dufrense – Blue’ by Alastair Keady

3 hand pulled inks and a faux silver gild
297 x 210mm / on 270gsm Colorplan Turquoise 
Edition of 10, signed and numbered by the artist.

About the Project
“Promise me, Red. If you ever get out, find that spot. In the base of that wall, you'll find a rock that has no earthly business in a Maine hayfield. A piece of black, volcanic glass. There's something buried under it I want you to have.”

A relation of  ‘Gabion’, prompted by the incongruous rock in ‘The Shawshank Redemption’, and the treasure hidden within that wall.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Gabion II' by Alastair Keady

3 hand-pulled inks and a 23ct gold gild
297 x 210mm / on Libra Card 1/sided Premium White 330gsm.
Edition of 20, signed and numbered by the artist.

About the Project
Limited edition print run (alongside ‘Gabion I’ and ‘Gabion – Yellow’), prompted by a fundraiser one-off postcard. The printed area is A6 or 148 x 105mm, but it’s on an A4 page, and will slot nicely into standard A4 frames. Again it’s a formal study of geometric transitions between squares and circles, but in this case the resulting composition was reminscent of dry stone, or more so, of caged Gabion walls. The gilding is in a thick 23ct gold.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Gabion I' by Alastair Keady

3 hand-pulled inks and a 23ct gold gild
297 x 210mm / on Libra Card 1/sided Premium White 330gsm.
Edition of 20, signed and numbered by the artist.

About the Project
Limited edition print run (alongside ‘Gabion II’ and ‘Gabion – Yellow’), prompted by a fundraiser one-off postcard. The printed area is A6 or 148 x 105mm, but it’s on an A4 page, and will slot nicely into standard A4 frames. Again it’s a formal study of geometric transitions between squares and circles, but in this case the resulting composition was reminscent of dry stone, or more so, of caged Gabion walls. The gilding is in a thick 23ct gold.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'The Things We Do' by Karen Browett

1 colour screen print, A4, Munken Pure 300gsm

Edition of 2, signed and numbered by the artist.

About the Piece
Trying to make sense of the things we do. Collaged shapes and hand drawn lettering
transferred to screen print.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Don't' by Karen Browett

1 colour screen print, A3 on Munken Pure 300gsm.

Edition of 5, signed and numbered by the artist.

About the Piece
Collaged experiments that try to make sense of it all. The trouble with actively unboxing yourself is that you aren’t sure at first what all the bits are, you just have to keep trying new configurations till you work it out.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'This Is Not The Place' by Karen Browett

A3 2 colour screen print with metallic gold on Fabriano Rosapina 220gsm,

Edition of 2, signed and numbered by the artist.

About the Piece
Typographical play on the idea of place. We often think we would be better in one such
place or another rather than where we are now, but does a place change anything if we stay the same.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Moon' by Karen Browett

A5, black Fabriano Elle Ere, 1 colour screen print.

Edition of 2, signed and numbered by the artist.

About the Piece
This edition of 2 depicts the full moon as seen from my window where the view is industrial and full of fences and wires and poles. The textures created in this piece were created by exposing tulle fabric straight to a screen, and using the lines of school book paper in the background. Photocopying the moon many times before exposing it gave the distressed topography. I really love the moon

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Connections 2' by Karen Browett

A5 size, Munken Pure 300 gsm.

Edition of 30, signed and numbered by the artist.

About the Piece
This body of work was focused on place, namely the wall in front of my house which
was all I saw through the years of covid restrictions. In these works, I looked at the
merging of person and place through exposure. Connections 1 and 2 were made in
response to the difficulties I had re-engaging socially.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'I Don't' by Karen Browett

2-colour hand-pulled screen print
25cm x 36cm on 300gsm pink  Fabriano Elle Erre paper.

Edition of 20, signed and numbered by the artist.

About the Piece
Collaged from photos I took of older couples dancing in the street squares in Mexico City looking every bit in love. This print was put together thinking about being a single woman and how it feels to keep growing older in that position, for better or worse, constructing your own life.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

 
2 colour hand-pulled screen print.
297 x 420mm / on 300gsm on grey Fabriano Elle Erre paper. Edition of 25, signed and numbered by the artist.

About the Artist
Sometimes it’s hard to know what direction to go. One time I jumped into deep dark water and suddenly forgot which way was up and which was down. Frantic underwater cartwheels couldn’t pick out the beams of light. Sometimes it’s like that.
Hand lettering was traced from collage, textures run through photocopiers and grids made with cut up math paper.
 
About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020.

Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation. Karen is currently completing an artist residency Future Labs with DAS Belfast and has recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes. Bespoke framing is also available.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'I Should Want More' by Karen Browett

1 colour hand-pulled screen print.
297 x 420mm / on 300gsm Munken Pure paper. Edition of 25, signed and numbered by the artist.

About the Piece
Sometimes you want better, and find ways to reach it. On the worst of times you don’t want anything, or care. Pinching yourself to see if you can feel it, knowing that probably you should want more.

About the Artist
Karen began screen printing many years ago in order to make merchandise for her bands, leading her to work as a print studio technician, commercial printer and tutor alongside her visual arts practice.

Karen has been exhibiting since 2012 in group and solo contexts. Her most recent solo
exhibitions were Loose on the Streets in The Darkroom, September 2022, Scurrying Things, Kenilworth Ln Studios, April 2022, and Fragments, Damn Fine Print, February 2020. Karen is a multidisciplinary artist working across fine art print, moving image, audio and installation.

Karen is currently completing an artist residency Future Labs with DAS Belfast and has
recently completed a residency at The Darkroom, D7. Karen is a current recipient of the Arts Council Bursary and a previous recipient of the Arts Council Agility Award.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes. Bespoke framing is also available.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

''Rendered - Frames' by Orla King

4 colour CMYK risograph print.

297 x 420mm / on 170gsm Munken Polar paper.

Edition of 4.

About the Artist
Orla is a Dublin-based visual designer, who specializes in print and motion design. She combines 3D renders, video and analog printing techniques to create visually engaging work.

About the Piece
'Rendered - Frames' is an exploration of 3D rendered shapes through the process of CMYK risograph printing. This print is an experiment which merges animation and risograph printing, the frames of which are presented as a printed composition.
Printed using aqua, yellow, fluorescent pink and black inks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Rendered' by Orla King

4 colour CMYK risograph print.

297 x 420mm / on 170gsm Munken Polar paper.

Edition of 4.

About the Artist
Orla is a Dublin-based visual designer, who specializes in print and motion design. She combines 3D renders, video and analog printing techniques to create visually engaging work.

About the Piece
'Rendered' is an exploration of 3D rendered shapes through the process of CMYK risograph printing. Printed using aqua, yellow, fluorescent pink and black inks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Umbrellas on O'Connell Street' by Stéphanie Cheron Cielecki

4 colour, 6 layers hand-pulled screen print.

320 x 450mm / on 300gsm Munken Pure Rough paper.
Edition of 20, signed and numbered by the artist.

About the Artist
Stéphanie is a French native who has lived in Ireland since 2016. She moved to Dublin in 2018 from the Wild Atlantic Way to be in a city surrounded by artists pursuing their dreams. Stéphanie is passionate about the intense contrasts she has witnessed in the Irish landscape. 'Dublin' is the third series of screen prints produced at Damn Fine Print in Stoneybatter, Dublin. The Printmaker and Illustrator wishes to share the beauty of our world through minimal composition and vivid colours. This illustration was inspired by her daily life. O'Connell Street is a meeting point, the centre of this busy and noisy city, where tourists and locals regularly cross paths and umbrellas keep flying. This hand-craft print medium is an opportunity to highlight the details of the original artwork made by collages and to stay true to the dynamics, feelings and energy of the actual scene.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus I' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Black on Birch' by Amber Leigh

1 colour hand-pulled screen print.

420 x 594mm / on 285gsm Birch. Edition of 17, signed and numbered by the artist.

About the Artist
Amber is a Dublin based illustrator and printer. She holds a BA in Visual Communication from the National College of Art and Design and is currently a member in DFP. Her work explores colourfully gradients and shapes through the medium of minimal, fat little dudes.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

’Sugar Town – II’
1000 x 350mm
11 hand pulled mono-print layers on 300gsm Torino Tactile Cream paperr.
Edition of 8

About the Piece
The second of a pair of large landscape pieces that celebrate the painterly possibilities of screen print. The process applied in creating these is a hybrid one, involving initial artwork composition on digital tablet, then using near pairs of painted inks with paintbrushes within those screens, and modifying the proportions of acrylic base to adjust translucency of the layers to build up painted-like qualities to the elements. The initial inspiration was the large landscape mural by William Scott in the Altnagelvin hospital in Derry. The loose arrangement of simple/geometric forms, and the horizontal rhythm of alternating brash and subtle shifts in the ‘landscape’ of the canvas. The name is shamelessly stolen form the 1966 Nancy Sinatra pop number, with it’s ode to LSD on sugar cubes. The palette had evolved into confectionary territory, so I just went with the flow. Each print is unique, with different quality of brushstroke and ink mixes.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

’Sugar Town – I’
1000 x 350mm
11 hand pulled mono-print layers on 300gsm Torino Tactile Cream paper.
Edition of 8

About the Piece
The first of a pair of large landscape pieces that celebrate the painterly possibilities of screen print. The process applied in creating these is a hybrid one, involving initial artwork composition on digital tablet, then using near pairs of painted inks with paintbrushes within those screens, and modifying the proportions of acrylic base to adjust translucency of the layers to build up painted-like qualities to the elements. The initial inspiration was the large landscape mural by William Scott in the Altnagelvin hospital in Derry. The loose arrangement of simple/geometric forms, and the horizontal rhythm of alternating brash and subtle shifts in the ‘landscape’ of the canvas. The name is shamelessly stolen form the 1966 Nancy Sinatra pop number, with it’s ode to LSD on sugar cubes. The palette had evolved into confectionary territory, so I just went with the flow. Each print is unique, with different quality of brushstroke and ink mixes.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Roland’ by Alastair Keady

500 x 500mm
6 hand pulled inks (one a screen mono print) on 330gsm G.F Smith Naturalis paper.
Edition of 18
Numbered and signed by the artist

About the Piece
These came out of further studies in the AI Tree area, combined with dot screens. One of the directions evolved into a grid of lozenge shapes, imperfect and textural. These lost any tree associations, but had a sequenced, analogue quality, which seemed to have a resonance with music, and particularly the misapplication of the Roland 303 bass emulator to Acid House, and subsequent related musical genres. The 303 was a pretty insipid bass substitute (although it didn’t hurt the groove of ‘Rip it Up’ by Orange Juice), but when pushed to extreme settings it created a new analogue squelchy sound that became the backbone of Acid. This is a kind of visual equivalent – the forms are sequenced, but distorted and ragged. The use of fluo orange is also an intentional call back to the visual language of Acid House. Print size is 50 x 50cm, but the printed area is circa 29 x 29cm. These will be the only versions of this print produced.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘303’ by Alastair Keady

500 x 500mm
6 hand pulled inks (one a screen mono print) on 330gsm G.F Smith Naturalis paper.
Edition of 18
Numbered and signed by the artist

About the Piece
These came out of further studies in the AI Tree area, combined with dot screens. One of the directions evolved into a grid of lozenge shapes, imperfect and textural. These lost any tree associations, but had a sequenced, analogue quality, which seemed to have a resonance with music, and particularly the misapplication of the Roland 303 bass emulator to Acid House, and subsequent related musical genres. The 303 was a pretty insipid bass substitute (although it didn’t hurt the groove of ‘Rip it Up’ by Orange Juice), but when pushed to extreme settings it created a new analogue squelchy sound that became the backbone of Acid. This is a kind of visual equivalent – the forms are sequenced, but distorted and ragged. The use of fluo orange is also an intentional call back to the visual language of Acid House. Print size is 50 x 50cm, but the printed area is circa 29 x 29cm. These will be the only versions of this print produced.

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus III' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus II' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.