All Prints

'Alleviate' by Svenja Michelle Behle

3 layer hand-pulled screen print.
500 x 500 mm / on  Munken Pure & Polar 300gsm paper. Edition of 7 & 9, signed and numbered by the artist.

About the Piece

About the Artist

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Benedicto' by Alastair Keady

7 colour hand-pulled screen print.
700 x 1000 mm Fabriano Rosapina 285gsm, hand-pulled and hand-cut artwork.

Edition of 6, signed and numbered by the artist.

About the Project

 Summer palette for a summer day. Continuation on from the compositional studies of the ‘Knot’ prints.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Wired Dreamscape' by Maria Atanackovic

Signed and numbered by the artist.

About the piece

Wired Dreamscape is an abstract depiction of the enigmatic realm of electric dreams. It invites the viewer to explore the ethereal domain of dreams, where reality is fused with imagination, and the boundaries between the conscious and unconscious are undefined.

About the Artist

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Beograf 1' by Alastair Keady

5 colour hand-pulled screen print.
42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 19, signed and numbered by the artist.

About the Piece
An ode to two icons of electricity – HAL 9000, and the body of work that Jacob Jensen did for Bang & Olufsen. The high-end bling of minimalist product design in beautifully engineered materials he designed seemed like a dip into the future in the 1980’s. These pieces are a celebration of the luminescence of fluo ink on white paper, and the contrast of metallic and gloss ink to flat/matt layers.

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Down The Rabbit Hole' by Jose Quintana

2 colour hand-pulled screen print
280 x 380 mm / on 300gsm Michel Cotton paper.
Edition of 13, signed and numbered by the artist.

About the Piece
You are falling into the rabbit hole. You realise the wall is made of hands that hold you while you fall. Undecipherable words are reflected on the walls like mirrors shattered all over the place.  

Jose Quintana is a Graphic Designer based in Dublin. Jose's work is rooted in a fascination of the energy and potential of screen print. Much of this work is concerned with the layering process of colour involved when screen printing, creating rich, deep tones of vibrant inks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes. Bespoke framing is also available.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

Two colour hand-pulled screen print
500 x 700mm / on 300gsm Munken Pure paper, edition of 50, signed and numbered by the artist.

 About the Artist
Fitzgerald is an accomplished visual designer with her own branding and design consultancy. Her work sits in the permanent collection at Dublin City Council and Fitzgerald has previously worked as Art Director at Zero-G studio and the celebrated Mongrel Magazine.

Shipping and Returns
This poster is sold unframed securely packaged in a cardboard tube. For full information on shipping and returns, click here. Please note colours may vary between computer screens.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes.

'Causal Nexus I' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Poolbeg' by Stéphanie Cheron Cielecki

4 colour, three layered hand-pulled screen print.

297 x 420mm / on 300gsm Munken Polar paper.
Edition of 40, signed and numbered by the artist.

About the Artist
Stéphanie is a French native who has lived in Ireland since 2016. She moved to Dublin in 2018 from the Wild Atlantic Way to be in a city surrounded by artists pursuing their dreams. Stéphanie is passionate about the intense contrasts she has witnessed in the Irish landscape. 'Dublin' is the third series of screen prints completed at Damn Fine Print in Stoneybatter, Dublin. The Printmaker and Illustrator wishes to share the beauty of our world through minimal composition and vivid colours. This illustration was inspired by her Sundays spent walking near Poolbeg, an iconic Dublin location. To join her local friends swimming in the South of the Capital in all weathers. This hand-craft print medium is an opportunity to highlight the details of the original artwork made by collages and to stay true to the dynamics, feelings and energy of the actual scene.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

’Sugar Town – II’
1000 x 350mm
11 hand pulled mono-print layers on 300gsm Torino Tactile Cream paperr.
Edition of 8

About the Piece
The second of a pair of large landscape pieces that celebrate the painterly possibilities of screen print. The process applied in creating these is a hybrid one, involving initial artwork composition on digital tablet, then using near pairs of painted inks with paintbrushes within those screens, and modifying the proportions of acrylic base to adjust translucency of the layers to build up painted-like qualities to the elements. The initial inspiration was the large landscape mural by William Scott in the Altnagelvin hospital in Derry. The loose arrangement of simple/geometric forms, and the horizontal rhythm of alternating brash and subtle shifts in the ‘landscape’ of the canvas. The name is shamelessly stolen form the 1966 Nancy Sinatra pop number, with it’s ode to LSD on sugar cubes. The palette had evolved into confectionary territory, so I just went with the flow. Each print is unique, with different quality of brushstroke and ink mixes.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Lattice’
420 x 594mm
5 hand pulled inks (two mono-print layers) on 300gsm Ancona 21 paperr.
Edition of 8

About the Piece
One of two colour-way editions exploring a repeat arrangement of a section of a circle within a grid of squares. Two mono-print layers (mustard-yellow and maroon-red) are teamed with flat fluoro pink, and translucent white and opaque gold, to create a vibrant and kinetic composition.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Roland’ by Alastair Keady

500 x 500mm
6 hand pulled inks (one a screen mono print) on 330gsm G.F Smith Naturalis paper.
Edition of 18
Numbered and signed by the artist

About the Piece
These came out of further studies in the AI Tree area, combined with dot screens. One of the directions evolved into a grid of lozenge shapes, imperfect and textural. These lost any tree associations, but had a sequenced, analogue quality, which seemed to have a resonance with music, and particularly the misapplication of the Roland 303 bass emulator to Acid House, and subsequent related musical genres. The 303 was a pretty insipid bass substitute (although it didn’t hurt the groove of ‘Rip it Up’ by Orange Juice), but when pushed to extreme settings it created a new analogue squelchy sound that became the backbone of Acid. This is a kind of visual equivalent – the forms are sequenced, but distorted and ragged. The use of fluo orange is also an intentional call back to the visual language of Acid House. Print size is 50 x 50cm, but the printed area is circa 29 x 29cm. These will be the only versions of this print produced.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘303’ by Alastair Keady

500 x 500mm
6 hand pulled inks (one a screen mono print) on 330gsm G.F Smith Naturalis paper.
Edition of 18
Numbered and signed by the artist

About the Piece
These came out of further studies in the AI Tree area, combined with dot screens. One of the directions evolved into a grid of lozenge shapes, imperfect and textural. These lost any tree associations, but had a sequenced, analogue quality, which seemed to have a resonance with music, and particularly the misapplication of the Roland 303 bass emulator to Acid House, and subsequent related musical genres. The 303 was a pretty insipid bass substitute (although it didn’t hurt the groove of ‘Rip it Up’ by Orange Juice), but when pushed to extreme settings it created a new analogue squelchy sound that became the backbone of Acid. This is a kind of visual equivalent – the forms are sequenced, but distorted and ragged. The use of fluo orange is also an intentional call back to the visual language of Acid House. Print size is 50 x 50cm, but the printed area is circa 29 x 29cm. These will be the only versions of this print produced.

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus III' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Time Dilation' by Jack Barrett

2 colour hand-pulled screen print.
700 x 500 mm / on 300gsm on Munken polar paper. Edition of 6, signed and numbered by the artist.

About the Piece

Time dilation refers to the seemingly odd fact that time passes at different rates for
different observers, depending on their relative motion or positions in a gravitational
field.
So from certain points of view, time can be seen going slower.
The two overlaps in colours show how the two speeds of time can be both right, the
observed and the observer. The overlapped section is the viewpoint, to see these to
“time zones”

About the Artist

We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Red Shift' by Jack Barrett

 1 colour hand-pulled screen print.
500 x 500mm / on 300gsm Munken polar paper. Edition of 10, signed and numbered by the artist.

About the Piece

Blueshift and Redshift are based on the scientific method of tracking how far an object
is away from Earth; the concept is key to charting the universe's expansion.
Redshift and blueshift describe the change in the frequency of a light wave depending
on whether an object is moving towards or away from us. As an object moves away, the
spacing between the light waves is stretched, and turns to a red tone. When the object
is moving closure to the observer, the light waves are compressed, and give a bluer hue
I used a warm colour and cold colour to represent this method. Having the colours fade
away to the page, like how the colours would shift from light.

About the Artist

We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

2023 Risograph Calendar

Our annual riso calendar is now available!

Risograph printed in ten colours on Munken Polar rough 170gsm, this beauty has all the frills - a high-quality matt black cover, screen-printed gloss layer and spiral binding with a hook for your wall or desk.

About the Piece
A celebration of colour and design, we created this calendar as a studio companion for creatives, print lovers and anyone interested in pagan Irish dates and seasons.

As well as all the colour and detail we could squeeze into it, this 2023 calendar includes key dates and Irish-language translations from the old Gaelic calendar.

Riso printing is always an experiment, and this project really showcases what can be achieved when we embrace the restrictions of this antiquated machine and play with colour in search of that magical 'what might be' moment. 

210 x 297mm/ Edition of 100.

Printed with love at Damn Fine Print in Dublin, Ireland.

This calendar is sold securely packaged and sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens. 

'Drop’ by Alastair Keady

1400 x 1010mm screen monoprint diptych. Four and five layers respectively, on 290gsm Sirio Arancio and 250gsm black papers. Hand cut paper stencils used as masks for the monoprinted sections. Orange, black, burned orange, rust, neutral grey, and gold. Edition of three unique pieces.

About the Piece
Following on from the formal studies of conjoining square and circular motifs in the ‘Module’ pieces. This piece is looser, more painterly, and has a defined compositional arrangement. It’s also considerably larger! The process is resolutely exploratory, somewhere in the crossover of print/painting/collage, embraces the consequent accidents and inconsistencies of the handmade, and allows a generous scale that brings the interplay of colour and tone to the fore.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Safety First' by NDP

3 colour risograph print.
297 x 420mm / on Munken Polar Rough 170gsm paper. Edition of 25, signed and numbered by the artist.

About the Piece
Slip sliding away in an entirely practical magenta mini-dress, like everyone wears on flights. This woman has places to go! We don’t discuss the missing arm. Available in glorious Risovision, with three colours, in a premier class edition of 25 A3 prints.

About the Artist
In 1972, a crack commando printmaker was sent to prison by a military court for a crime they didn't commit. They promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government they survive as a soldier of print fortune. If you have a problem, if no one else can help, and if you can find them....maybe you can collect a print from NDP.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'No Scrubs' by NDP

4 colour risograph print.
297 x 420mm / on Munken Polar Rough 170gsm paper. Edition of 25, signed and numbered by the artist.

About the Piece
He don’t want no scrubs, but Mr Simian has dressed him up in them anyways. Everyone’s favourite illustration of child abuse. In glorious Risovision, with four colours and big chunky halftones, in a premier class edition of 25 A3 prints.

About the Artist
In 1972, a crack commando printmaker was sent to prison by a military court for a crime they didn't commit. They promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government they survive as a soldier of print fortune. If you have a problem, if no one else can help, and if you can find them....maybe you can collect a print from NDP.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

3 colour hand-pulled screen print.
420 x 594 mm / on Munken Pure 300 gsm paper. Edition of 15, signed and numbered by the artist.

About the Piece

This print was a combination of collage elements to form the final piece. The inspiration for this print came from my long walks at dusk during summer evenings within the county-side of Kildare. The bright colours represent a sense of calmness and prosperity. 

About the Artist

Seán is recent graduate of University College Cork with a masters in secondary school teaching. He describes himself as an Artist teacher. In his artwork, he likes to capture the beauty in mundane objects and places. His work is based on combined materials such as car steel through what he understood to be of the Male Vernacular. Screen-print allows Seán to reference car culture and nostalgia, as well as the sense of a journey. It allows sean to make the illusion of movement on paper, whilst distorting the image. Seán uses bright colours to reference a sense of play and the advertisements that appeared on big billboards and newspapers within the 80s and 90s. His Artwork includes elements of automobile language, vinyl, spray paint, glass, photography, metal, maps, air fix and structural parts, all being a direct reference to the car industry as a whole. This adds up to much more than the simple process of getting to A to B. His work evokes prospects of escape from the weight of collective and material responsibilities.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Maxi-Disco' by Alastair Keady

3 colour, plus two glitter embellishment hand-pulled prints on 420 x 594 mm 330gsm G F Smith Naturalis paper. Edition of 6, signed and numbered by the artist.

About the Piece

‘Maxi-Disco’ is the bigger sibling to the ‘Discothèque’ editions. Even more melty than the previous outing, these prints ooze celebratory camp, with a circular twist. More overtly organic, these are the abstract children of disco balls, sex toys, genitalia, paint droplets, sweat, and H R Pufnstuf. Available in six colourways, with a cheeky singular yellow and gold variation, there’s a remix banger to suit all tastes – as long as they find drippy glitter tasteful. Note that this will draw the disco line to a close. I’ve learned my lesson with doubling up on the glitter for screen print – I won’t be rushing back into that minefield. Burn, baby, burn!

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing 

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns

This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Maxi-Disco' by Alastair Keady

3 colour, plus two glitter embellishment hand-pulled prints on 420 x 594 mm 330gsm G F Smith Naturalis paper. Edition of 10, signed and numbered by the artist.

About the Piece

‘Maxi-Disco’ is the bigger sibling to the ‘Discothèque’ editions. Even more melty than the previous outing, these prints ooze celebratory camp, with a circular twist. More overtly organic, these are the abstract children of disco balls, sex toys, genitalia, paint droplets, sweat, and H R Pufnstuf. Available in six colourways, with a cheeky singular yellow and gold variation, there’s a remix banger to suit all tastes – as long as they find drippy glitter tasteful. Note that this will draw the disco line to a close. I’ve learned my lesson with doubling up on the glitter for screen print – I won’t be rushing back into that minefield. Burn, baby, burn!

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing 

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns

This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Maxi-Disco' by Alastair Keady

3 colour, plus two glitter embellishment hand-pulled prints on 420 x 594 mm 330gsm G F Smith Naturalis paper. Edition of 7, signed and numbered by the artist.

About the Piece

‘Maxi-Disco’ is the bigger sibling to the ‘Discothèque’ editions. Even more melty than the previous outing, these prints ooze celebratory camp, with a circular twist. More overtly organic, these are the abstract children of disco balls, sex toys, genitalia, paint droplets, sweat, and H R Pufnstuf. Available in six colourways, with a cheeky singular yellow and gold variation, there’s a remix banger to suit all tastes – as long as they find drippy glitter tasteful. Note that this will draw the disco line to a close. I’ve learned my lesson with doubling up on the glitter for screen print – I won’t be rushing back into that minefield. Burn, baby, burn!

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing 

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns

This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

About the Piece
Part of an ongoing series of pieces dealing with incremental shifts between squares and circles. This is a looser composition, with hand cut paper stencil geometric forms, caught in the dimensions of the page, and then loosely superimposed with monoprint painterly patterns, shifting the hue of each form in parallel to the incremental form shift. Warm metallics and oranges. Named for the Telefís track, and ‘imprimatur’ – literally ‘let it be printed’. 

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Magnolia' by 'Magnolia' by 'Son Of A Fox' Brian Giles

3 colour hand-pulled screen print.
594 x840mm. Edition of 14, signed and numbered by the artist.

About the Work
Brian Giles, also known as Sonofafox, is a Dublin-based printmaker and Damn Fine Print Studio member. In a series of new works called 'Layers', Giles experiments with shapes and patterns inspired by the natural figures he observed and photographed in the National Botanic Gardens. Giles has created twelve unique designs printed in a CMYK setup working from his photographs. Last December, the collection was first released with a joint exhibition with Luke Ready in Studio 10.

Creating new colours through layering has always fascinated Giles, and now he's taken inspiration from the complexities of colour and design found in Ireland's natural flora, such as the sunflowers in the glasshouses of Glasnevin. In the wake of COVID-19, Giles seeks to inspire colour and positivity with new prints based on intricate plantlife patterns, embracing an ethos of growth, rebirth, and affirmation, which is innate in the natural world.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Grow' by Maria Atanackovic

50 x 50 cm / 6 colour screen print on Fabriano Unica Bianco 250gsm.

Signed and numbered by the artist.

About the Artist
Maria Atanackovic, also known as Maluda, is a Dublin-based artist and designer with a background in printed textiles. She utilizes colour, shape and movement to explore ideas relating to space, harmony and belonging. Creating a kind of ordered chaos, Maria's abstract work investigates how shapes can interact with each other becoming alternate forms.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Reflection' by Maria Atanackovic

50 x 50 cm / 6 colour screen print on Fabriano Unica Bianco 250gsm.

Signed and numbered by the artist.

About the Artist
Maria Atanackovic, also known as Maluda, is a Dublin-based artist and designer with a background in printed textiles. She utilizes colour, shape and movement to explore ideas relating to space, harmony and belonging. Creating a kind of ordered chaos, Maria's abstract work investigates how shapes can interact with each other becoming alternate forms.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Probe' by Maria Atanackovic

50 x 50 cm / 6 colour screen print on Fabriano Unica Bianco 250gsm.

Signed and numbered by the artist.

About the Artist
Maria Atanackovic, also known as Maluda, is a Dublin-based artist and designer with a background in printed textiles. She utilizes colour, shape and movement to explore ideas relating to space, harmony and belonging. Creating a kind of ordered chaos, Maria's abstract work investigates how shapes can interact with each other becoming alternate forms.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

About the Piece
Another edition within the series alluding to surfaces and vessels. Layers of textural colour, with a vibrant shot of fluoro pink in a sea of oranges and reds. A bit difficult to catch in photographs. It’s rather more electric in the flesh.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

About the Piece
A mix of silver metallic ink, split fountain blues, silver-gilt, white, and vibrant orange on a warm grey field. hand-distressed textures are layered on top of each other in this piece, inspired, and named for the Gee’s Bend quilters in Boykin, Alabama. Specifically the denim work of Mary Lee Bendolph. Intentional overspills and spread have been introduced into the artwork, as well as the retention of any actual imperfections, so there is subtle variance across the edition.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Pastille' (Red) by Alastair Keady

3 colour hand-pulled screen print with applied diamond dust (handle with care).
500x500mm / on 330gsm GF Smith Naturalis paper. Open edition, signed and dated by the artist.

About the Project
It’s a big sweetie, that glistens in the light as you move by it, but it’s calorie-free!

Safety Notice, Please Note when handling print:
Diamond dust is actually small shards of glass, held in place on the surface of the print by a matt acrylic medium. If you brush your hand, or other exposed skin, against the diamond dust, you may scratch or cut yourself. The print should be mounted behind (ideally; anti-glare) glass for safety purposes. The print will be shipped in a wide diameter tube, to ensure no rubbing of the diamond glass area occurs, but care should be taken when removing the print from the tube, in case any shards have shed in transit. 

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Form(s) 4 Burgundy' by Alice Fitzgerald

Single colour hand-pulled screen print.
500 x 700mm / on 300gsm Munken Pink paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alice's work consists of screen printed organic shapes and natural forms alongside geometric structures, forming a rich body of work. Alice's work was shown at Damn Fine Print as part of 'Form Shape(s) Form', an exhibition showcasing the bold and beautiful simplicity of Alice's work.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier within Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'The End' by Jose Quintana

2-colour hand-pulled screen print
297 x 420mm / on 300gsm Munken Pure rough paper. Edition of 27, signed and numbered by the artist.

About the Print
‘The End’, a familiar phrase that once played leading role across generations of film. But could this couple be taking a moment to enjoy the end of the day, or the end of the world.

Jose Quintana is a Graphic Designer based in Dublin. Jose's work is rooted in a fascination of the energy and potential of screen print. Much of this work is concerned with the layering process of colour involved when screen printing, creating rich, deep tones of vibrant inks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes. Bespoke framing is also available.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Discothèque' by Alastair Keady

5 colour hand-pulled screen print, with glitter embellishments.
297 x 420mm / on 330gsm GF Smith Naturalis paper. Edition of 12, signed and numbered by the artist.

About the Piece
Discothèque; a melting celebration of camp exuberance. Part synthetic, part organic, they’re a hot mess of visual stimulation, with the most retro-sophisticated of titles.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Discothèque' by Alastair Keady

5 colour hand-pulled screen print, with glitter embellishments.
297 x 420mm / on 300gsm Black paper. Edition of 14, signed and numbered by the artist.

About the Piece
Discothèque; a melting celebration of camp exuberance. Part synthetic, part organic, they’re a hot mess of visual stimulation, with the most retro-sophisticated of titles.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Irish Summer' by Ashwin Chacko

3-colour risograph print
297 x 420mm / on 170gsm Munken Polar rough paper.

Edition of 30, signed and numbered by the artist.

About the Artist
Ashwin Chacko is an Indian illustrator & designer living and working in Dublin. He is interested in uncovering the social interactions that drive culture. He seeks to capture these moments in bold lines and shapes, his compositions focus on a strong use of characters intermingled with typography and patterns. He likes to describe his work as ‘positively playful.’

About the Project
Damn Fine Print proudly presents a new collection of works by members and contributors to showcase some of the talent and creativity we’ve seen in our studio recently.

Entitled ‘Irish Summer’, the collection draws upon a range of moods and memories to try and illustrate the fleeting joys and halcyon days of an Irish summer holiday. 

All works are silkscreen or risograph prints made right here in Stoneybatter, Dublin. They can be viewed online at DamnFinePrint.com from Friday, September 3rd or in person by calling to our studio whenever we’re open. 

For private collections and more details, please email studio@damnfineprint.com

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Square Mantel’ by Alastair Keady
420 x 594mm
4 inks, on 330gsm G.F Smith Naturalis paper
Edition of 9

About the Project
A companion piece to the ‘Dresser’ prints, this is a bolder composition, leaning heavily on the implied level surface (Mantel) at the base of the chaotic main square. The square compositional motif is accentuated by ‘outlining’ the orange square with a metallic grey ‘sprayed’ square. “It’s like, how much more square could this be? And the answer is none; none more square.” Note – there’s variation in the black strokes on the prints – the top left hand corner stroke end has less or more ink from print to print.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'This Mess' by Jose Quintana

2 hand-pulled screen print
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