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'Supernova' by Sarah Fitzgibbon

5 colour hand-pulled screen print. 50 x 70 cm on 285gsm Sirio Ultra Black paper. Edition of the 7, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

Sarah Fitzgibbon is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from Limerick School of Art & Design and is a member of the DFP Team. Through screen printing, her work explores the idea of movement and illusion by layering bold vibrant colours and abstract geometric shapes to produce mind-altering artworks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Starburst' by Sarah Fitzgibbon

5 colour hand-pulled screen print. 50 x 70 cm on 300gsm Munken Pure paper. Edition of 10, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

Sarah Fitzgibbon is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from Limerick School of Art & Design and is a member of the DFP Team. Through screen printing, her work explores the idea of movement and illusion by layering bold vibrant colours and abstract geometric shapes to produce mind-altering artworks.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Electric Dreams' by Amber Leigh

2 colour hand-pulled screen print. 42 x 59.4 cm on 300gsm Munken Polar paper. Edition of 5, signed and numbered by the artist.

 About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

 About the Artist

Amber is a Dublin based illustrator and printer. She holds a BA in Visual Communication from the National College of Art and Design and is currently a member in DFP. Her work explores colourfully gradients and shapes through the medium of minimal, fat little dudes.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Glitter in the Dark' by Alice Fitzgerald

2 colour hand-pulled screen print with metallic gold and sliver inks.
50 x 70 cm on Munken Pure 300gsm paper. Edition of 25, signed and numbered by the artist.

About the Piece

The title is taken from Blade Runner’s famous soliloquy, ad libbed by Rutger Hauer as replicant, Roy Batty. Inspired by the film’s neon and metallic-soaked, neo-noir atmosphere, this two-tone screen print evokes the faded glamour of future-present 2019 Los Angeles and the ambivalent tone of Ridley Scott’s dystopian masterpiece.

About the Artist

Alice's work consists of screen printed organic shapes and natural forms alongside geometric structures, forming a rich body of work. Alice's work was shown at Damn Fine Print as part of 'Form Shape(s) Form', an exhibition showcasing the bold and beautiful simplicity of Alice's work.

Framing

Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Hybrid' by Jack Barrett

5 colour hand-pulled screen print with gilded embellishments.
50 x 50 cm on 300gsm Munken Polar paper. Edition of 10, signed and numbered by the artist.

About the Piece

This piece was created as part of the Damn Fine Print showcase 'Electric Dreams'.

About the Artist

We first saw Jack’s work at his degree show in IADT, Dun Laoghaire, where he showed an impressive dedication to precision and craft. Jack’s prints are a result of an attention to detail and an embrace of beautiful printing which caught our eyes immediately. He was invited to take part in an internship in our studio and has been a member of Damn Fine Print since, continuing to produce these highly impressive and individualistic works while exploring and expanding on his style.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Token of Esteem' by Alastair Keady

5 colour hand-pulled screen print, one gloss and faux gold gilding.
500 x 700mm / on 290gsm Fabriano Tiepolo paper with deckled edges.
Edition of 10, signed and numbered by the artist.

About the Project
These sprang from my work on wood panels, where the forms butted up against the edges of the panels. I wanted to do a companion edition, but with the composition floating within a space. I also wanted to explore the combination of relatively loose gestural lines within a tight geometric composition, with subtle tonal shifts. The combination of teal/green and gold got me thinking of the visual language of currency, and the title arrived as a play on that. The gilded form is a mixture of faux gold leaf and bronzed powder gold pigment, and has a lot of textural interest on it’s own. Intended to be float mounted in a larger frame, but can equally be trimmed to mount in a 70 x 50 cm frame.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Clouds in My Coffee' by Alastair Keady

1400 x 1010mm screen monoprint diptych. Four and three layers respectively, on 290gsm Sirio Arancio and 250gsm black papers. Hand cut paper stencils used as masks for the monoprinted sections. Orange, black, rust brown, and gold. Edition of two unique pieces.

About the Piece

Following on from the formal studies of conjoining square and circular motifs in the ‘Module’ pieces. This piece is looser, more painterly, and has a defined compositional arrangement. It’s also considerably larger! The process is resolutely exploratory, somewhere in the crossover of print/painting/collage, embraces the consequent accidents and inconsistencies of the handmade, and allows a generous scale that brings the interplay of colour and tone to the fore.

The title comes from the rusty brown semi-circle with lighter brush marks, and the fact that Carly Simon’s ‘You’re so vain’ was in my playlist, and head, while I was working on it. 

About the Artist

Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Dufrense – Pink, Brown and Gold’ by Alastair Keady

4 colour hand pulled screenprint
297 x 210mm / on Ancona 21 300gsm stock
Edition of 7, signed and numbered by the artist.

About the Project
“Promise me, Red. If you ever get out, find that spot. In the base of that wall, you'll find a rock that has no earthly business in a Maine hayfield. A piece of black, volcanic glass. There's something buried under it I want you to have.”

A relation of  ‘Gabion’, prompted by the incongruous rock in ‘The Shawshank Redemption’, and the treasure hidden within that wall.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Gabion II' by Alastair Keady

3 hand-pulled inks and a 23ct gold gild
297 x 210mm / on Libra Card 1/sided Premium White 330gsm.
Edition of 20, signed and numbered by the artist.

About the Project
Limited edition print run (alongside ‘Gabion I’ and ‘Gabion – Yellow’), prompted by a fundraiser one-off postcard. The printed area is A6 or 148 x 105mm, but it’s on an A4 page, and will slot nicely into standard A4 frames. Again it’s a formal study of geometric transitions between squares and circles, but in this case the resulting composition was reminscent of dry stone, or more so, of caged Gabion walls. The gilding is in a thick 23ct gold.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Gabion I' by Alastair Keady

3 hand-pulled inks and a 23ct gold gild
297 x 210mm / on Libra Card 1/sided Premium White 330gsm.
Edition of 20, signed and numbered by the artist.

About the Project
Limited edition print run (alongside ‘Gabion II’ and ‘Gabion – Yellow’), prompted by a fundraiser one-off postcard. The printed area is A6 or 148 x 105mm, but it’s on an A4 page, and will slot nicely into standard A4 frames. Again it’s a formal study of geometric transitions between squares and circles, but in this case the resulting composition was reminscent of dry stone, or more so, of caged Gabion walls. The gilding is in a thick 23ct gold.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

‘Lattice’
420 x 594mm
5 hand pulled inks (two mono-print layers) on 300gsm Ancona 21 paperr.
Edition of 8

About the Piece
One of two colour-way editions exploring a repeat arrangement of a section of a circle within a grid of squares. Two mono-print layers (mustard-yellow and maroon-red) are teamed with flat fluoro pink, and translucent white and opaque gold, to create a vibrant and kinetic composition.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus III' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Causal Nexus II' by Alastair Keady

3 colour hand-pulled screen print, with gilded embellishments.
400 x 280 mm / on 300gsm Kraft Board paper. Edition of 20, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'The Passion of Fr Horan (Gran Prix)' by NDP

About the Piece
Fr Neil (not Niall) Horan is an icon. An irritation-on-the-cusp-of-end-days icon, but an icon nonetheless. So who better to be commemorated in the form of an icon? This is the first of an uncertain number of pieces highlighting Fr Horan’s attention-seeking arse-boxing. The number will be dependent on the further adventures of Fr Horan, but an Olympian outing is next up. Will he match the big man and his twelve stations of the cross? Who can know? Anyway - repent you sinners! 

About the Artist
In 1972, a crack commando printmaker was sent to prison by a military court for a crime they didn't commit. They promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government they survive as a soldier of print fortune. If you have a problem, if no one else can help, and if you can find them....maybe you can collect a print from NDP.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Hold Tight' 

A one-colour hand-pulled screen print from the Damn Fine Print studio.
500 x 700mm / on 305gsm Metallic Gold paper. Edition of 40, numbered and stamped by the studio.

About the Piece
This print is part of our new Damn Editions range, an in-house exploration of street culture and contemporary art. A shout-out for whenever you need it, printed in four different colour ways on paper stock that will blow your socks off. 

Nuclear Acid, Pastel Heart Attack, Metallic Gold and Munken White. Each print in the collection is an edition of 40, they can be bought individually but also work great as a set.

Conceived as a studio response to the chatter and catchphrases of modern life, they use brash, confident palettes to create a bold statement piece that plays with type, language and colour.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

2023 Risograph Calendar

Our annual riso calendar is now available!

Risograph printed in ten colours on Munken Polar rough 170gsm, this beauty has all the frills - a high-quality matt black cover, screen-printed gloss layer and spiral binding with a hook for your wall or desk.

About the Piece
A celebration of colour and design, we created this calendar as a studio companion for creatives, print lovers and anyone interested in pagan Irish dates and seasons.

As well as all the colour and detail we could squeeze into it, this 2023 calendar includes key dates and Irish-language translations from the old Gaelic calendar.

Riso printing is always an experiment, and this project really showcases what can be achieved when we embrace the restrictions of this antiquated machine and play with colour in search of that magical 'what might be' moment. 

210 x 297mm/ Edition of 100.

Printed with love at Damn Fine Print in Dublin, Ireland.

This calendar is sold securely packaged and sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens. 

About the Piece
Yoke is a response to the quality of ink on this Ancona paper. The ink tends to sit n the surface, and consequently develops a tactility when layered. I was interested in exploring the translucency of metallic layers with opaque underlays, and building painterly stokes as tactile elements. It’s also another opportunity to work with squares and circles, which is an ongoing formal playground for my pieces.

This version uses a halftone screened gild on top of the printed gold, so there’s various tonal shifts as the light moves over it, or as you move around it.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Ring a Rosies' by Karen Browett

6-colour hand-pulled screen print
297 x 420mm  on 300gsm Munken Polar paper.

Edition of 18, signed and numbered by the artist.

About the Artist
Karen Browett is a print maker and multimedia artist with a particular love for screen print. She began experimenting in screen print 15 years ago as a means to make economical merchandise for the DIY punk bands she was playing in. Having honed her skills, she has become a long time Damn Fine Print member and creative.

About the Piece
"What a distinct and strange summer it has been. It has often felt like the ivy is growing over me as I wait for the world to begin again. I spend a lot of time with my flowers and the bees thinking about the balance of all things.

"I say ‘hello bumbog’ aloud every time one pauses in my garden and if they stay I tell them news as the old Irish tradition goes. It’s a comforting oddity I have acquired.

Damn Fine Print proudly presents a new collection of works by members and contributors to showcase some of the talent and creativity we’ve seen in our studio recently.

Entitled ‘Irish Summer’, the collection draws upon a range of moods and memories to try and illustrate the fleeting joys and halcyon days of an Irish summer holiday. 

All works are silkscreen or risograph prints made right here in Stoneybatter, Dublin. 

For private collections and more details, please email studio@damnfineprint.com

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Grit and sun' by Sinéad Killoran

5-colour hand-pulled screen print
420 x 594mm / on 300gsm Munken paper.

Edition of 10, signed and numbered by the artist. 4 prints available on Munken Pure (Off-white) and 6 on Munken Polar (White).

About the Piece
Sinéad's contribution to our Irish Summer collection is an abstract, spacious, exploration and collection of patterns and textures found at the beach; from windbreakers to disposable bbq’s. The piece responds to this through the artist's unique bold colour choices and composition.

About the Artist
Sinéad Killoran is a Dublin based artist who mainly works though the medium of screen, she uses escapism in her art through energetic mark-making, exploring textures and patterns. Sinead is very experimental with her prints often seen using lots of layers mixing monoprinting with digital imagery and hand embellishments, she creates free yet considered work.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

This print was made as part of our 2018 end of year show Damn Fam: A celebration of people, process and practice.

2 colour hand-pulled screenprint

500 mm x 500 mm / on Sirio Noir Black 300gsm

Edition of 20

About the print
For Emy, the original artwork here was a hand drawing in black and white in china ink.

For Gaspard, the basis is a collage made on computer and with some hand made adds of textures and shapes to later be screenprinted in two colours.

About the artist

This French screenprinting duo specialise in print, graphic design and illustration at their studio in Paris with their work appearing on posters, album covers, shirts and published books for dozens of artists.

Meaning 'Snatch an Eye!', Arrache Toi Un Oeil are illustrators Emy Rojas and Gaspard Le Quiniou.

Their edgy, punk-inspired designs have been used on posters for bands like Sleaford Mods, Jesus & Mary Chain, Sunno))), L7 and The Melvins as well as limited edition posters for events like Hellfest and This Is Not A Love Song.

Working out of the 11th District in Paris, the pair have travelled extensively with their work appearing in Berlin, Hamburg, Rome, Brussels, Geneva and now Dublin.

www.arrachetoiunoeil.bigcartel.com/

Insta: @arrachetoiunoeil

This poster is sold unframed securely packaged in a cardboard tube.
Please note colours may vary between computer screens. 

'Stowaway' by Alastair Keady

3 layer hand-pulled screen print with gold gilding.
297 x 420 mm on Ancona 21 300gsm paper.
Edition of 35, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Light Shimmers' by Clare Blackwell

297 x 420mm / on 300gsm Munken Pure paper. Edition of 10, signed and numbered by the artist.

About the Piece

Light Shimmers is a three-color screenprint in glowing pinks, greens, and shimmering gold tones. The artist has captured the warmth of sunlight falling on tropical leaves and bold architectural forms. This interaction of colour and form is based on the artist's playful interpretation through her mind's eye. This limited edition series of 10 prints was produced from Clare's original illustration and screen printed at DFP on Munken pure fine art paper in high-quality pigment inks. 

About the Artist

Clare Blackwell is an artist and art educator, specialising in illustration and screen-printing. Clare creates unique and colourful screen-prints on paper and textiles inspired by themes including pop culture, vintage graphics and illustration. Drawing and colour theory influence Clare’s printmaking process.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

'Arc - Champagne & Gold' by Alastair Keady

Multi layer hand-pulled screen print with gold gilding.
420 x 594 mm on G . F Smith Naturalis 330 gsm paper.
Edition of 15, signed and numbered by the artist.

About the Artist
Alastair is a graphic design graduate of NCAD and the Royal College of Art. He’s worked as a designer, and design educator, for far too long to dwell on. Interested in process and materiality in printmaking, he’s previously worked in letterpress, but returned to screen printing in 2017.

Often found devising an image-making technique, and then discovering ways to undermine, abuse, and subvert it. Loves a happy accident. Disinterested in rigorous adherence to consistency in a world of perfect reproduction. Which is convenient.

Framing
Frames can be purchased through Damn Fine Print in black, white and natural wooden finishes, here. Frames are available for collection only. Bespoke framing is also available. Please note framed orders must be collected from the store and can't be shipped.

Shipping and Returns
This print is sold unframed securely packaged in a cardboard tube, sent via courier in Ireland and An Post Standard Postage internationally. For details on shipping and returns click here. Please note colours may vary between computer screens.