Books and Zines

Illustrator David McMillan documents a bike trip from Cork to Derry, along the West coast of Ireland. Through this journey, David comes to question these parts of Ireland and his own personal connection to them, in a post-Brexit environment which has left many Northern Irish people considering their 'Irishness' in a new light.

Risograph printed on Munken Pure rough 120gsm paper.
Printed using Black ink. 176 x 250mm. 40 pages.

Second edition of 100. April 2021.

About the Artist
Originally from Northern Ireland, David now lives and works in Bristol creating illustrations for a wide range of clients bringing together a love of mark-making, bold, colourful shapes, and traditional printmaking techniques.

Belfast-based photographer Billy Woods caught our eye through his self-published zines capturing the faces of Belfast DIY music venues. With the same energy behind the camera, Billy found himself in Reykjavik, Iceland, where he came to learn through conversations with locals, of genetic ties between Irish and Icelandic people. From behind the camera, this trip saw Billy documenting the architecture, landscapes, and people of Reykjavik, delving in to their city and gaining an understanding of the ways that these two cultures have been interwoven, be it through shared DNA or shared experiences of the harsh economic struggles. The resulting zine, ‘Papar’ is a beautifully crafted and considered photo book that we were delighted to have produced.

Risograph printed on Fedrigoni Freelife White, Sirio Colour Celeste, and Woodstock Nero recycled papers.
Printed using Blackand Aqua inks. 195 x 243mm. 40 pages.

First Edition of 50. September 2020.

“December Is A Lucky Month” reflects on themes of fate, chance and fortune by illustrating an interaction between an isolated main character and a fortune telling amusement machine.

Risograph printed on Fedrigoni Freelife Kendo and Context Yellow papers.
Printed using Black and Bright red inks.
Includes fortune.

First Edition of 50. November 2019. Signed and numbered by the artist.

Ross Carvill’s illustrations possess an energy and personality that stands out amongst the best of them. In April of 2020, we invited Ross to do some live drawing on our instagram, where Ross drew creations that merged animals and objects based on viewers’ suggestions, and we loved them so much that we thought they needed to be printed! “Mystical Magical Maths” collects some of our favourites, in this zine that’s guaranteed to put a smile on your face.

Risograph printed on Fedrigoni Freelife Oikos and Munken Polar rough papers. Printed using Black and Bright Red inks. 111 x 132mm. 16 pages.

First Edition of 35. September 2020.

'1-900-660-GALS' by No Bad News
Risograph zine. Edition of 75.

About the Project
‘1-900-660-GALS’ celebrates 80s women's wrestling phenomenon 'GLOW' the Gorgeous Ladies of Wrestling. Through the combined visuals of the four talented artists of No Bad News, colourful characters, strong women, and over-the-top comedy sketches are brought to light in this once-off publication packed with action.

Famously, most of the performers on the television show’s all-women roster of wrestlers were actresses, models, dancers or stunt women hoping to enter show business. The zine captures their larger than life characters and memorable moments by visualising several of the choreographed bouts seen on the show.

A huge, stylistic spectrum of typography, graphics and illustration, with fluorescents and overlays capturing the 1980’s aesthetic that was so integral to the show, and considered finishing details added to the zine which embrace the risograph print process wholeheartedly.

About No Bad News
No Bad News is a multidisciplinary design studio based in Dublin, Ireland. Founded in 2020 by four best friends from NCAD, NBN is pushing past the restrictive boundaries forced by a global pandemic, intending to build a post-college career path.

With their colourful and fun graphic-led approach to design, the studio takes their inspiration from earth magic, positive attitudes, mindfulness, and the spirit of subculture promoting messages of peace and playfulness. No Bad News is extending their eight arms into different creative dimensions, from prints to clothing, books to exhibitions, and candles to homeware. Their creative appetite is ever-growing for new ways to design and explore, allowing them to enable a “why not?” perspective on the world of design, with the freedom to transform their work.

Risograph printed on Munken Polar rough 170gsm, 120gsm, and fluorescent 160gsm papers. Printed using four inks and coil bound. 176 x 250mm. 24 pages with 9 smaller inset pages, fold-out poster, and 'MAKE YOUR OWN WRESTLER' activity sheet.

Edition of 75. June 2021.

Shipping and Returns
Sent by courier in Ireland, and internationally via An Post Standard Postage. For details on shipping and returns click here. Please note colours may vary between computer screens.

“The Possibilities Are Endless”

Risograph printed on Context Birch and Context Yellow papers.
Printed using Black and Bright red inks.

First Edition of 50. November 2019. Signed and numbered by the artist.

“Do Not Choose An Apple Based On Its Shape” spreads a positive message about body diversity and inclusivity, through a cast of various characters and scennes beautifully illustrated by Bronagh Lee.

Risograph printed on Fedrigoni Freelife Kendo and Menken Lynx papers.
Printed using Black, Yellow, and Bright Red inks.

First Edition of 50. November 2019. Signed and numbered by the artist.

“Deep Water” tells a personal story of struggling with mental health, capturing feelings of balance, fluidity and power through manipulation of photographs of the sea.

Risograph printed on Munken Lynx paper and tracing paper.
Cover screen printed on Woodstock Cipria paper.
Printed using Black, Medium Blue and Fluorescent Pink inks.

First Edition of 50. November 2019. Signed and numbered by the artist.

About the Artist
Izzy Rose Grange is a Dublin based artist and printmaker. She holds a BA in Fine Art Printmaking from the National College of Art and Design, Dublin, and has been creating work experimenting with integration and interaction with the sea for a number of years. Her work mainly consists of dynamic compositions which create parity between shifting geometric structures and photographic representations of the sea. This work explores tension and emotion, and plays on the calm yet powerful presence of nature.

“The Treachery Of Architecture” collects images surrounding construction and demolition in urban spaces, to reflect on changing landscapes in modern society. This book is a part of the first releases by Damn Fine Press, the publishing arm of Damn Fine Print.

Risograph printed on Context Flint and Black Nettuno Papers.
Printed using Black, Aqua, Yellow, Metallic Gold and Fluorescent Pink inks.

First Edition of 50. November 2019.

“fieldnotes“ is a photo zine by Clare Lyons, focussing on spatial relationships in domestic and suburban settings; using them to depict the slow overwhelming and encroaching sensation of living with anxiety in a day-to-day context.

Risograph printed on Fedrigoni Freelife Vellum and Munken Lynx papers.
Printed using Black, Yellow, Aqua and Fluorescent Pink inks.

First Edition of 50. November 2019. Signed and numbered by the artist.